https://www.sonicartsmfa.org/resources daily 0.75 2020-08-15 https://www.sonicartsmfa.org/faculty daily 0.75 2025-11-02 https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/4bfbbdba-6006-4813-a4d8-c947b3e610ee/Doug.jpg Faculty - Douglas Geers (Sonic Arts program Director) Douglas Geers is a composer who uses technology in nearly all of his works, whether in the compositional process, as part of their sonic realization, or both. He has created concert music, installation works, and several large multimedia theater works. He also performs as an improviser, playing laptop and his own custom electronic instruments. Geers’s music has been performed and installations exhibited in a wide range of venues across the world and on a wide range of concerts and festivals. Groups that have performed Geers’s music include Ensemble Fa, The Radio-Television Orchestra of Slovenia, the Princeton University Laptop Orchestra (PLOrk), Speculum Musicae, Ensemble Pi, the NODUS Ensemble, the Verge Ensemble, the NEXt Ens, ConTempo, Miolina, Zeitgeist, The New York University New Music Ensemble, Choral Chameleon, the University of Minnesota Singers, the Richmond University Chorale, the Ball State University Concert Choir, the Western Michigan University Chorale, the First Parish Brookline Choir, and the Dessoff Choirs. Performers include Esther Lamneck, Blair McMillen, Madeleine Shapiro, Keith Kirchoff, Maja Cerar, Jinsoo Lim, Lisa Bahn, Saul Bitran, Jed Distler, Kamala Sankaram, Shiau-uen Ding, Junpei Ohtsubo, Darryn Zimmer, Matthew Polashek, and Greg Beyer. https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/f73a56c2-22b0-441e-ad0a-a50a15eb5ffb/Johanna+Deveney+.jpg Faculty - Johanna Devaney Johanna Devaney's research seeks to understand how humans engage with music, primarily through performance, with a particular focus on the singing voice, and how computers can be used to model and augment our understanding of this engagement. Her work draws on the disciplines of music, psychology, and computer science and has been published in the Journal of New Music Research, Psychomusicology, the Journal of Interdisciplinary Music Studies, and Ex Tempore as well as presented at numerous international and national conferences. She is currently the speciality chief editor for the Digital Musicology section of Frontiers in Digital Humanities. Devaney previously taught in the Music Technology program at NYU Steinhardt and the Music Theory and Cognition program at Ohio State University. She completed her postdoc at the Center for New Music and Audio Technologies (CNMAT) at the University of California at Berkeley and her Ph.D. in music technology at the Schulich School of Music of McGill University. She also holds an M.Phil. degree in music theory from Columbia University as well as an MA in composition from York University in Toronto. Devaney's research has been funded by the Social Sciences and Humanities Research Council of Canada (SSRHC), the Fonds de recherche sur la société et la culture (FRQSC), the Google Faculty Research program, and, most recently, the National Endowment for the Humanities (NEH) Digital Humanities program. https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/48f25b32-3612-441d-b95b-68cdd4d703cc/David+Grubbs+by+John+Foster.jpg Faculty - David Grubbs David Grubbs is Professor of Music at Brooklyn College and The Graduate Center, CUNY. At Brooklyn College he also teaches in the MFA programs in Performance and Interactive Media Arts (PIMA) and Creative Writing. He is the author of The Voice in the Headphones, Now that the audience is assembled, and Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (all published by Duke University Press) and, with Anthony McCall, Simultaneous Soloists (Pioneer Works Press). Grubbs has released fourteen solo albums and appeared on more than 190 releases; his most recent solo recording is Creep Mission (Blue Chopsticks, 2017). In 2000, his The Spectrum Between (Drag City) was named “Album of the Year” in the London Sunday Times. He is known for his ongoing cross-disciplinary collaborations with poet Susan Howe and visual artists Anthony McCall and Angela Bulloch, and his work has been presented at, among other venues, the Solomon R. Guggenheim Museum, MoMA, the Tate Modern, and the Centre Pompidou. Grubbs was a member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and has performed with Tony Conrad, Pauline Oliveros, Luc Ferrari, Will Oldham, Loren Connors, the Red Krayola, Royal Trux, and many others. He is a grant recipient from the Foundation for Contemporary Arts, a contributing editor in music for BOMB Magazine, chair of the Blank Forms board of directors, and director of the Blue Chopsticks record label. https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/9ad21a04-ce62-4847-ac7b-97435c535d66/Douglas+Cohen+2023.jpg Faculty - Douglas Cohen Douglas Cohen is an intermedia composer and often a collaborator with film, performance, and folk artists. Cohen was an early advocate for digital media on the Internet. He organized the NewMusNet Conference of Arts Wire with Pauline Oliveros, and later he served as Arts Wire Systems coordinator. Cohen is a specialist in American experimental music, with particular attention to the work of John Cage, Morton Feldman and Pauline Oliveros. He co-created and produced the evening-length intermedia work "imusicircus" at Experimental Intermedia in New York and LACE Gallery in Los Angeles (later with the California EAR Unit at the L.A. County Museum of Art) as "City Circus" events for the John Cage exhibition "Rolywholyover a Circus." At Brooklyn College, Professor Cohen is the undergraduate Deputy Director of the Conservatory of Music, the Associate Director of the Brooklyn College Center for Computer Music, the coordinator of Core Curriculum 1130, and the Director of the Brooklyn College Composers' Forum. https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597449911102-SCBPGBZXK8PL0MAF1X94/Angela.jpg Faculty - Angela Piva Tobias Keene, D.D.S. Hailing from Richmond, Virginia, Dr. Tobias Keene brings a bit of unabashed Southern hospitality to all his patients. He moved to Washington, D.C. over thirty years ago as a freshman at Ivy College. Right after graduation, he attended World University’s School of Dentistry. Before opening Keene Dental in 1994, he worked for free clinics and some of the finest practices in the District. He is part of the 123 Dental Association and stays up-to-date on the latest dental discoveries. When not striving to keep his patients happy and healthy, he’s enjoys hiking with his family in Rock Creek Park. https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/10350120-2575-4520-9916-2141241911e2/Amirtha+Kidambi+headshot+2025.jpg Faculty Amirtha Kidambi Amirtha Kidambi is heavily invested in decolonization and deconstruction of borders physical, mental and musical” (NPR, 2024). As an artist spanning free jazz, punk, noise, electroacoustic and South Asian devotional music, Kidambi crafts subversive sounds challenging hegemony. Based in Lenapehoking-Brooklyn, Kidambi is an improviser, composer, organizer and scholar focused on critical intervention, responding to our fraught times, in collaboration with potent musicians including Luke Stewart, Angel & Demons with Darius Jones, Neti-Neti with Matt Evans, Mary Halvorson, William Parker and the late Robert Ashley and Muhal Richard Abrams. She is also the composer for the anticolonial films of Suneil Sanzgiri, exhibited at Brooklyn Museum and winner of Best Experimental Film at Blackstar Fest. Leading the protest ensemble Elder Ones which recently released its third album New Monuments on We Jazz, her work garners critical acclaim from the NPR, Wire, Fader, New York Times,The Quietus and Bandcamp Daily, and tours internationally at venues and festivals including Lincoln Center, Whitney Museum, MoMA, Kennedy Center, The Lab (SF), Rewire (NL), Unsound (PL), Big Ears (US), SESC (Brazil), CNA (Colombia) and others. As a scholar and researcher, Kidambi holds degrees from Loyola Marymount University, Brooklyn College and Columbia University in Ethnomusicology, Musicology and Performance, with writing published in the Routledge Voice & Identity Reader, New York Times, Wire Magazine, and Sound American. Kidambi teaches courses across Sonic Arts, Improvisation, Composition, Musicology, Ethnomusicology and Cultural/Critical Studies. She is currently the music director of the Brooklyn College Electroacoustic Ensemble, teaching courses and individual lessons in the Sonic Arts MFA program. • Website: https://www.amirthakidambi.com/ https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/90d0df32-d0bb-4cb7-8654-f693874a5488/Teo-Blake-Headshot-.jpg.1.2x.generic.jpg Faculty - Teo Blake Beauchamp Teo Blake Beauchamp is a singer-songwriter, producer, engineer, and educator from Los Angeles. His musical lexicon is informed by a myriad of disparate sources, which converge in his work as a form of assemblage. While he works extensively as an engineer and producer, he continues to write and record his own music, believing strongly in the artist Arthur Jafa’s proposal that one "should pursue what is singular about [one’s] preoccupation.” The pursuit of that singularity embodies the nature of Beauchamp’s practice and his art. As a teen in Los Angeles Beauchamp was immersed in the world of underground hip hop while at the same time exploring experimental jazz artists like Sun Ra and Yusef Lateef as well as electronic music such as the work of Apex Twin and Björk. At Sarah Lawrence College he studied classical, jazz, experimental, and electronic music while beginning to write and record his own work. Beauchamp moved to Austin, TX after college where he performed and collaborated widely. It was also in Austin that he developed a love and appreciation for country and folk music. Returning to New York to pursue his MFA in Sonic Arts from Brooklyn College, Beauchamp dove into his career as an engineer and producer, running sessions for classical orchestras, jazz and rock groups, singer-songwriters, hip-hop artists, and beyond. It was also at this time that Beauchamp began composing for film and new media as well as creating sound installations for galleries. But all the while he was writing and producing new music of his own. The first body of work to come out of this period was his 2019 album, misanthropist’s Heaven. It was initially released as a multimedia art installation that premiered at Evening Hours in Manhattan. Having reassessed his creative perspective and goals, misanthropist’s Heaven represented a turning point in Blake’s career to date. Beauchamp has been teaching as an adjunct professor at Brooklyn College since 2019 and has taught a diversity of classes in the Conservatory of Music. Beauchamp also teaches Rap and Rock as Cultural Phenomena at Montclair State University and is a Certified Avid Instructor. The various creative, technical, and pedagogical practices that Beauchamp works in help to inform one another and are very much intertwined. https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597451821723-1KPJRT80TPALVWA50T35/Jules+Gimbrone.jpg Faculty - Jules Gimbrone Jules Gimbrone creates fragile corporeal sound and sculptural ensembles that highlight the differentiations between modes of perceptual acquisition—specifically visual and sonic—within complex and precarious arrangements of subjects and objects. Building on this is an expansive idea of the phenomenology of resonance–social performativity, identity development, subject/object relationships, etc.–all being inherent to the accumulation of layers that are built on materially transparent, fragile, surfaces. Resonance, as a set of conditions or relationships between things, becomes activated and legible through light and sound then complicated through abstraction and perceptual manipulations. Gimbrone’s works have appeared at such venues as Walker Art Center, Stellar Projects, SculptureCenter, ISSUE Project Room, The Rubin Museum, MOMA PS1, REDCAT, Human Resources LA, Park View Gallery, Vox Populi, and Théâtre de l’Usine, Geneva, Switzerland. Gimbrone received an MFA in Music Composition and Integrated Media from CalARTS in 2014. In 2018 Gimbrone received the Rema Hort Mann Foundation Emerging Artist Grant and was accepted to In Practice at SculptureCenter. • Website: www.julesgimbrone.com https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597452364883-72GUD3GBTL6Q55BLPP55/claire_marie_lim.jpg Faculty - Claire Marie Lim Claire Marie Lim is a Singapore-born music technologist and educator, also active under her artist project dolltr!ck. She specializes in instruction for live electronic performance, production and programming, and is an advocate of womxn and Asian representation in music technology. Classically-trained as a pianist, flautist and composer, Claire slipped headfirst into the abyss of electronic music in college. She emerged from its depths as a DJ, remixer and live performance designer for numerous award-winning artists, including two-time Grammy nominees Alphabet Rockers, acclaimed keyboardist Rachel Z, My Brightest Diamond and Nona Hendryx of Labelle. As dolltr!ck, Claire presents dynamic live sets of originals and remixes that meld electronica, pop and dance music. Her performance content has been featured by Genelec, iZotope, Serato and Aodyo Instruments. She was involved in the launch of Berklee College of Music's groundbreaking Electronic Digital Instrument program, and has played at events by TEDx, Toyota, iHeartRadio, PayPal and KCON. In music education and arts activism, Claire collaborates with the Girls Rock Campaign, Beats By Girlz, and the Queens Public Library network, and has received support from the New York City Department of Cultural Affairs and Queens Council on the Arts. She develops curriculum for various ages and experience levels, having consulted for the International Center of Photography, Queens College, Coursera and the Berklee network. Students can learn with Claire through in-person private lessons, small group workshops and large-scale clinics. Remotely, she teaches via video conferencing and offers a selection of online courses as listed on www.clairemarielim.com/learning. Claire also runs the doll troop, a mentorship experience where K-12 girls can shadow her in electronic songwriting sessions and live shows, with signups on a rolling basis at www.dolltrick.com/dolltroop. • Website: https://www.clairemarielim.com/ https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/704ea049-c9f2-4fd3-b24d-486bc4ef9c24/Daniel+Martin+McCormick.jpeg Faculty - Daniel Martin McCormick Daniel Martin-McCormick is an electronic musician, composer and event organizer with 25 years experience on the stage. For 14 years, his primary focus has been on live electronic hardware performance in both techno and avant garde/concert formats. He has performed in over 30 countries and at many esteemed institutions and festivals, including Berghain, Unsound, CTM Festival, Sónar, fabric and more. His roots are in the Washington DC punk scene, which he began to participate in as a teenager in the late '90s. His bands Black Eyes and Mi Ami toured extensively between 2001-2012 and released albums on Dischord Records, Touch & Go and Thrill Jockey. Daniel began releasing solo electronic works as Ital in 2011, and then as Relaxer in 2016. Both projects have released albums and EPs on Planet Mu, as well as Workshop, 100% Silk, Avenue 66, Club Night Club and his own Lovers Rock Recordings. Martin-McCormick was one of the founding organizers of the Sustain-Release festival and worked as co-director from 2017-2021. Today, he is the co-founder of Dripping, a two night camping festival and event series that focuses on the intersection between experimental and dance-oriented electronic forms. Here is a SoundCloud playlist with live sets by Daniel. https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/cb21d552-e8b0-4696-b212-5d15bcdc6b76/phil+moffa+SMALL.jpeg https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597685291613-RHE3EKNY4VI30MN6WJS1/marina_rosenfeld.jpg Faculty - Marina Rosenfeld Marina Rosenfeld is a composer and sound artist who lives and works in Brooklyn, NY. Since the early 1990s, when she created the first 17-woman sheer frost orchestra, her works have foregrounded participation, sociality, transdisciplinarity and a feminist approach to noise, vocality and acoustic architectures. She has created monumental sound works in such spaces as the Park Avenue Armory, the Museum of Modern Art, the Serralves Foundation and Western Australia’s Midlands Railway Workshops; participated in surveys including the Whitney Biennial (2002 and 2008), Montreal Biennial (2016), Liverpool Biennial (2011) and PERFORMA Biennial (2009 and 2011), and documenta14’s radio program (2017); and composed works for festivals including the Holland, Borealis, Wien Modern, Ultima and Donaueschingen Musiktage, among many others. Recent solo exhibitions include Portikus Frankfurt, CCS Bard/Hessel Museum, the Artist’s Institute and, upcoming in 2021, Kunsthaus Baselland in Basel, Switzerland. As a turntablist, working with a unique palette of original dub plates, Rosenfeld has also been active as a collaborator and improviser, performing and recording with such figures as George Lewis, Christian Marclay, Annette Henry aka Warrior Queen and Okkyung Lee, among many others. Her music for dance includes live performance with the Merce Cunningham Dance Company and works for choreographers Ralph Lemon and Maria Hassabi. Rosenfeld is also currently a research artist with Experiments in Art and Technology at Bell Labs/Nokia in New Jersey. • Website: www.marinarosenfeld.com. https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/18a89e67-d31c-4e4e-9f34-325d3abd61bd/Eric_Singer_square_photo_by_Heather_White_Photography.jpg Faculty - Eric Singer Eric Singer is a multi-disciplinary artist and technologist. He is internationally recognized as an innovator for his interactive music, art and technology works, robotic and electronic musical instruments, fire art and guerrilla event production. Singer is a founder of several influential arts organizations, including the Brooklyn arts combine The Madagascar Institute, the Burning Man New York Regional Association, and LEMUR: League of Electronic Musical Urban Robots, creators of robotic musical instruments, performances and installations. Singer holds a B.S. in Electrical and Computer Engineering from Carnegie Mellon University, a degree in Music Synthesis from Berklee College of Music and an M.S. in Computer Science from New York University. He has been an Adjunct Professor at both NYU and CMU, designing and teaching graduate courses in electronic art and music, interactive performance and controller design. Website: http://ericsinger.com . https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597451222130-GSPMQOSVU2QOEGR2Y5SW/Ben+Vida+2.jpg Faculty - Ben Vida Ben Vida is a composer, improviser and artist. In the mid-1990s he co-founded the minimalist quartet Town & Country and released solo records under the moniker Bird Show. He has worked with numerous labels including PAN, Shelter Press and Kranky. Vida’s composition practice focuses on the use of electronics and voice and has recently expanded to works for small ensembles. The text based pieces he produces utilize generative writing techniques developed through an engagement with experimental writing practices. In these works language is treated as a raw material that can be sampled and re-contextualized into numerous mutable forms. In addition to his compositions for voice Vida has produced numerous releases that demonstrate his research into systems and sound syntheses. Vida’s work has been featured in Artforum, Modern Painters, The Paris Review, The New York Times, Art Review, Wire Magazine, The Creators Project, WIRED Magazine among others. Recent projects include a collaboration with YarnWire and vocalist Nina Dante premiered through Lampo at the Poetry Foundation in Chicago and the release of a new LP by his duo with Marina Rosenfeld. https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/58d63e50-e3f5-4c04-b23b-b14133f02bee/Red_Wierenga.jpg Faculty - Red Wierenga Red Wierenga is a pianist, accordionist, respectronicist, improviser, and composer based in New York City. His longest creative association is with the Respect Sextet, called "a group which has released one of the most compelling recordings of the year" by the Wall Street Journal and "one of the best and most ambitious new ensembles in jazz" by Signal to Noise. He has performed and/or recorded with artists including The Claudia Quintet, Ensemble Signal, Salo, the Fireworks Ensemble, and David Crowell. Wierenga builds and performs with new interfaces for electroacoustic improvisation, working with analog and digital synthesizers.He received his bachelor's degree from the Eastman School of Music, studying with Harold Danko, Ralph Alessi, and Kevin Puts. After having studied at the Institute of Sonology in The Hague, the Netherlands, with Joel Ryan and Paul Berg, he became an Enhanced Chancellor's Fellow at the CUNY Graduate Center, where he received his Ph.D. and his teachers included Jason Eckardt and Douglas Geers. He has taught music appreciation and electronic music at Baruch College (CUNY) and currently teaches at the Brooklyn College Center for Computer Music. • Website: https://www.redwierenga.com/ https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/05bc5291-fa95-48d6-b6c7-f9ecd6b7ec24/Morton+Subotnick.jpg Faculty - Morton Subotnick (faculty emeritus; retired 2022.) Morton Subotnick is one of the pioneers in the development of electronic music and an innovator in works involving instruments and other media, including interactive computer music systems. The work that brought Subotnick celebrity was Silver Apples of the Moon [1966–67], commissioned by Nonesuch Records, marking the first time an original large-scale composition had been created specifically for the disc medium — a conscious acknowledgment that the home stereo system constituted a present-day form of chamber music. It has become a modern classic and was recently entered into the National Register of Recorded Works at the Library of Congress. Only 300 recordings throughout the entire history of recorded music have been chosen. In the early 1960s, Subotnick taught at Mills College, and, with Ramon Sender, he co-founded the San Francisco Tape Music Center. During this period he collaborated with Anna Halprin in two works (the 3 legged stool and Parades and Changes) and was music director of the Actors Workshop. It was also during this period that Subotnick worked with Don Buchla on what may have been the first analog synthesizer (now at the Library of Congress). https://www.sonicartsmfa.org/info daily 0.75 2025-03-09 https://www.sonicartsmfa.org/home daily 1.0 2024-12-16 https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597443065114-TR2MOMIF1JZE3UPQJD1M/AndresVera_PG1.jpg Home The Sonic Arts MFA program at Brooklyn College (a campus of the City University of New York) is a degree for people composing, producing, and performing music and sound art with technology. Sonic Arts offers students advanced knowledge in the creation of artistic and commercial works of sound. The Sonic Arts program is a collaboration between the Feirstein Graduate School of Cinema, the Conservatory of Music at Brooklyn College, and the Brooklyn College Center for Computer Music. And reflecting this collaborative origin, Sonic Arts offers a flexible curriculum, customizable to each student’s artistic and professional goals. The Sonic Arts program does not privilege any musical style above another. Our students are creating a wide range of work, including experimental music, pop, hip hop, EDM, other electronica, jazz, sound design, and sound art. We want students to explore, experiment, and develop their creative voice within whatever style(s) they wish to work. The Sonic Arts faculty also know that production skills are often central for today’s creators. We see production as a creative act and teach it from that point of view. For us, production tools are creative instruments and deserve focused, imaginative engagement, just like one might study and explore traditional musical instruments. The primary goal of the Sonic Arts program is to develop historically and theoretically informed, technically skilled composers and artists working in the medium of sound. This program has been designed to provide an academic route to promising composers and artists, primarily those working in digital media, including those who may not necessarily possess a bachelor's degree in music. To apply for this program, click the “Apply” button at the top right of this page. For more information, please email program Director Professor Doug Geers for more information: dgeers@brooklyn.cuny.edu. https://www.sonicartsmfa.org/curriculum daily 0.75 2025-03-09 https://www.sonicartsmfa.org/facilities daily 0.75 2020-08-30 https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597502847857-LCPBALMMH3GEQJQRNR41/Tow+Exterior+2.jpg Facilities Leonard and Claire Tow Center for the Performing Arts https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597503789548-HS1CO7RFK9AF21AGU8I1/Tow+Exterior.png Facilities Leonard and Claire Tow Center for the Performing Arts https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597503843098-RSV9UFHXZRAJY2DS3L68/Tow+Atrium+2.jpg Facilities Tow Center’s Atrium https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597509863538-DDLICW4NDSEVTW8B3DSA/Tow+Rehearsal+Room.jpeg Facilities A Rehearsal Room in the Tow Center https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597512281816-QRVQ1FRYMWPH2ZJDBPIX/Tow+250.jpeg Facilities Tow Center’s Topfer Recital Hall https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597512343804-YXBM3S80TVN7IG43Z75C/Don+Buchwald+from+Audience.jpg Facilities Don Buchwald Theater at the Tow center https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597512768581-G30HR2FKAZISZ9MXWZX4/Steiner+Studios+Exterior.png Facilities Feirstein Graduate School of Cinema at Steiner Studios https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597512831476-PYCMUVDMAKCEUE0VVA7S/Feirstein+Lounge.jpg Facilities Feirstein Lounge Area https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597513045603-3FM5SCVY8EN15XTUX52R/Feirstein+Conference+Room.jpg Facilities Lecture Hall 2 https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597513070651-WIGWDRVUEPZJXBUWUXX7/Feirstein+Conference+Room.jpg Facilities Conference Room 4 https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597513114596-SDBRUGPJA8JSBKRYGPTK/Feirstein+Computer+Lab.jpg Facilities A Feirstein Computer Lab https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597513161389-RMXJW770A00OEWIWZ2L2/Screening+Room.jpeg Facilities Screening Room https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597513341310-6MWRD1KI83JZ9G6GGP8D/MoCap.jpg Facilities Motion Capture Room https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597513424590-L9ELE72J4ARZ206V7U4R/Studio+A.jpg Facilities Recording Studio (Euphonix S5) https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597513462986-Q14EJ6YRQ6E1UY9QNCK7/Aro%2BHa_0387.jpg Facilities Foley Studio (Avid S6) https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597513383885-Q4R2E7VU9D1W0MI94YUT/ADR.jpg Facilities ADR Studio (Avid S6) https://www.sonicartsmfa.org/new-page daily 0.75 2023-01-15 https://www.sonicartsmfa.org/student-handbool daily 0.75 2020-08-15 https://www.sonicartsmfa.org/equipment daily 0.75 2020-08-20 https://images.squarespace-cdn.com/content/v1/5f370749a1368b76bc6902f1/1597502332265-QOSH6OS5D48Y75RWQDH9/Screen+Shot+2020-08-15+at+10.36.40+AM.png Equipment https://www.sonicartsmfa.org/sasu daily 0.75 2025-03-25 https://www.sonicartsmfa.org/reserving-rooms daily 0.75 2023-02-04 https://www.sonicartsmfa.org/courses daily 0.75 2025-11-02