Geers is a Professor of Music at Brooklyn College, a campus of the City University of New York (CUNY). There he is Director of the Center for Computer Music and the MFA program in Sonic Arts. He also serves on the Ph.D. composition faculty of the CUNY Graduate Center. As an educator, Geers teaches music composition, electroacoustic music, interactive music and media creation with Max/MSP and Arduino/micro:bit, electronic music history, and hardware electronics for music performance and multimedia installations. Geers completed his DMA in Music Composition at Columbia University, where he studied with Brad Garton, Tristan Murail, Fred Lerdahl, and Jonathan D. Kramer.
Website: www.dgeers.com
Soundcloud: https://soundcloud.com/douggeers
Youtube: https://www.youtube.com/playlist?list=PLOcOicNms0Uya8Wlj_Fzb-A5P8qLCz3mg
Facebook: https://www.facebook.com/doug.geers
Devaney's research has been funded by the Social Sciences and Humanities Research Council of Canada (SSRHC), the Fonds de recherche sur la société et la culture (FRQSC), the Google Faculty Research program, and, most recently, the National Endowment for the Humanities (NEH) Digital Humanities program.
Grubbs has released fourteen solo albums and appeared on more than 190 releases; his most recent solo recording is Creep Mission (Blue Chopsticks, 2017). In 2000, his The Spectrum Between (Drag City) was named “Album of the Year” in the London Sunday Times. He is known for his ongoing cross-disciplinary collaborations with poet Susan Howe and visual artists Anthony McCall and Angela Bulloch, and his work has been presented at, among other venues, the Solomon R. Guggenheim Museum, MoMA, the Tate Modern, and the Centre Pompidou. Grubbs was a member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and has performed with Tony Conrad, Pauline Oliveros, Luc Ferrari, Will Oldham, Loren Connors, the Red Krayola, Royal Trux, and many others. He is a grant recipient from the Foundation for Contemporary Arts, a contributing editor in music for BOMB Magazine, chair of the Blank Forms board of directors, and director of the Blue Chopsticks record label.
Recently elected Chair of the Audio Engineering Society NY Section, interviewed frequently over the years for a variety of articles, books, press and a popular guest speaker at many industry events, Angela is also noted for being one of the few successful women recording engineer/mixers in the business and is featured in the Russell Simmons documentary “The Show”.
Participated as one of the guest speakers that gave testimonials on the first inquiry hearing chaired by Tina Tchen for the Recording Academy Task Force on Diversity and Inclusion in 2018.
Recording and Mix Credits include: Michael Jackson, Toni Braxton, Naughty By Nature, Queen Latifah, Run DMC, Ronnie Spector, Groove Theory, Mary J Blige, Color Me Badd, Heavy D, Christopher Williams, Next, Pat Benatar, Foxy Brown, Shabba Ranks, Ghostface Killah, Zhane, Rita Wilson. Film Music Mixing Credits include: New Jack City, Poetic Justice, Juice, Love Jones, Toy Story, The Show, Sunset Park, Space Jam, NJ Drive, Why Do Fools Fall in Love. Spoken word performers including: Cherry Jones, Stanley Tucci, Lynn Redgrave, Lauren Bacall, Anderson Cooper and many more.
• AES, NARAS and ASCAP member
• AES NY Section Chair / Current
• AES Education Committee
• Sound Thinking Student Diversity and Inclusive Music Program/Consultant (Mayor’s Office of Media and Entertainment)
• B.M. Berklee School of Music, Music Production & Engineering
• MAT, CUNY, Master of the Arts Music
• Website: https://www.angelapiva.com/
But all the while he was writing and producing new music of his own. The first body of work to come out of this period was his 2019 album, misanthropist’s Heaven. It was initially released as a multimedia art installation that premiered at Evening Hours in Manhattan. Having reassessed his creative perspective and goals, misanthropist’s Heaven represented a turning point in Blake’s career to date.
Beauchamp has been teaching as an adjunct professor at Brooklyn College since 2019 and has taught a diversity of classes in the Conservatory of Music. Beauchamp also teaches Rap and Rock as Cultural Phenomena at Montclair State University and is a Certified Avid Instructor. The various creative, technical, and pedagogical practices that Beauchamp works in help to inform one another and are very much intertwined.
Resonance, as a set of conditions or relationships between things, becomes activated and legible through light and sound then complicated through abstraction and perceptual manipulations.
Gimbrone’s works have appeared at such venues as Walker Art Center, Stellar Projects, SculptureCenter, ISSUE Project Room, The Rubin Museum, MOMA PS1, REDCAT, Human Resources LA, Park View Gallery, Vox Populi, and Théâtre de l’Usine, Geneva, Switzerland. Gimbrone received an MFA in Music Composition and Integrated Media from CalARTS in 2014. In 2018 Gimbrone received the Rema Hort Mann Foundation Emerging Artist Grant and was accepted to In Practice at SculptureCenter.
• Website: www.julesgimbrone.com
Amirtha earned an M.A. in Ethnomusicology from Columbia University, an M.M. in Voice and Musicology at CUNY Brooklyn College and a B.A. in Voice from Loyola Marymount University. She currently serves on the faculty for Brooklyn College and the New School.
• Website: https://www.amirthakidambi.com/
As dolltr!ck, Claire presents dynamic live sets of originals and remixes that meld electronica, pop and dance music. Her performance content has been featured by Genelec, iZotope, Serato and Aodyo Instruments. She was involved in the launch of Berklee College of Music's groundbreaking Electronic Digital Instrument program, and has played at events by TEDx, Toyota, iHeartRadio, PayPal and KCON.
In music education and arts activism, Claire collaborates with the Girls Rock Campaign, Beats By Girlz, and the Queens Public Library network, and has received support from the New York City Department of Cultural Affairs and Queens Council on the Arts. She develops curriculum for various ages and experience levels, having consulted for the International Center of Photography, Queens College, Coursera and the Berklee network.
Students can learn with Claire through in-person private lessons, small group workshops and large-scale clinics. Remotely, she teaches via video conferencing and offers a selection of online courses as listed on www.clairemarielim.com/learning. Claire also runs the doll troop, a mentorship experience where K-12 girls can shadow her in electronic songwriting sessions and live shows, with signups on a rolling basis at www.dolltrick.com/dolltroop.
• Website: https://www.clairemarielim.com/
Daniel began releasing solo electronic works as Ital in 2011, and then as Relaxer in 2016. Both projects have released albums and EPs on Planet Mu, as well as Workshop, 100% Silk, Avenue 66, Club Night Club and his own Lovers Rock Recordings. Martin-McCormick was one of the founding organizers of the Sustain-Release festival and worked as co-director from 2017-2021. Today, he is the co-founder of Dripping, a two night camping festival and event series that focuses on the intersection between experimental and dance-oriented electronic forms.
Here is a SoundCloud playlist with live sets by Daniel.
Phil Moffa
Phil Moffa is an audio engineer, electronic musician, and multidisciplinary artist from New York City. As the owner/operator of Butcha Sound Studios in NYC, Moffa has mixing, mastering, and recording credits on over 200 releases. Artists include DVS1, The Martinez Brothers, Photay, Kool Keith, AG, A-Trak, Nile Rodgers and Chic, and many more on labels including Warp Records, !K7, Defected, Fool's Gold, and Red Apples 45. Moffa mastered the 2023 Latin Grammy Award-winning album Em Nome Da Estrela by Brazilian artist Xênia França.
Moffa has released several albums, EPs, singles, and remixes both solo and in collaboration. He has performed domestically and internationally as an electronic musician and DJ since 1997. In 2020, Phil started Butcha Sound Records to release original works of both his music and art. In 2023, he collaborated with Grammy Award-winning composer and conductor Joel Thome to create the album Event Horizon.
Moffa's Lost Souls Of Saturn multimedia project with Seth Troxler creates in the forms of music, art installation, video, books, and augmented reality. LSOS have performed in conjunction with the Metropolitan Museum of Art in New York City, Fondation Beyeler in Basel and Zurich, Switzerland, and at the Saatchi Gallery in London, UK. Site-specific performances include collaborations with contemporary installation artists Olafur Eliasson and Ernesto Neto. They have officially remixed Louie Vega and Elements of Life, UNKLE, Luciano, Kate Simko & The London Electronic Orchestra, Mathew Jonson, !!! (Chk, Chk Chk), Mashrou Leila, and Tiga. Their works have been remixed by Wolfgang Tillmans, James Holden, Pepe Bradock, Carl Craig, and Mathew Jonson. The LSOS & Tokimonsta song “Revision of the Past” appeared in Rockstar Games’ Grand Theft Auto Online.
In 2022, Moffa became an Experience Producer for Aimi, Inc., helping develop their innovative platform. Aimi uses AI to recontextualize musical ideas to create unique listening experiences and is a leader in the generative music space. Aimi has appeared in Forbes, engadget, and the Wall Street Journal.
Moffa is an Assistant Adjunct Professor at Brooklyn College and a Lecturer in Music at SUNY Purchase College. He has taught for Sonic Arts since 2021 and has been part of the Studio Production/Music Technology faculty at Purchase since 2003. Moffa has an M.M. (2010) and B.F.A. (2002) in Studio Composition from the Conservatory of Music at Purchase College.
Website: https://philmoffa.com
As a turntablist, working with a unique palette of original dub plates, Rosenfeld has also been active as a collaborator and improviser, performing and recording with such figures as George Lewis, Christian Marclay, Annette Henry aka Warrior Queen and Okkyung Lee, among many others. Her music for dance includes live performance with the Merce Cunningham Dance Company and works for choreographers Ralph Lemon and Maria Hassabi. Rosenfeld is also currently a research artist with Experiments in Art and Technology at Bell Labs/Nokia in New Jersey.
• Website: www.marinarosenfeld.com.
Recent projects include a collaboration with YarnWire and vocalist Nina Dante premiered through Lampo at the Poetry Foundation in Chicago and the release of a new LP by his duo with Marina Rosenfeld.
In 1966 Subotnick was instrumental in getting a Rockefeller Grant to join the Tape Center with the Mills Chamber Players (at Mills College with performers Nate Rubin, violin; Bonnie Hampton, cello; Naomi Sparrow, piano and Subotnick, clarinet). The grant required that the Tape Center relocate to a host institution that became Mills College. Subotnick, however, did not stay with the move, but went to New York with the Actors Workshop to become the first music director of the Lincoln Center Rep Company in the Vivian Beaumont Theater at Lincoln Center. He became an artist in residence at the newly formed Tisch School of the Arts at NYU. The School of the Arts provided him with a studio and a Buchla Synthesizer. During this period he helped develop and became artistic director of the Electric Circus and the Electric Ear. This was also the time of the creation of Silver Apples of the Moon, The Wild Bull and Touch.
In 1969 Subotnick was invited to be part of a team of artists to move to Los Angeles to plan a new school of the arts. With Mel Powell as dean and a team of four other pairs of artists, Subotnick, as associate dean, carved out a new path of music education and created the now famous California Institute of the Arts. Subotnick remained associate dean of the music school for four years and then, resigning as associate dean, became the head of the composition program where, a few years later, he created a new media program that introduced interactive technology and multimedia into the curriculum.
Subotnick is now pioneering works to offer musical creative tools to young children. He is the author of a series of CD-ROMs for children and a children's website and is developing a program for classroom and after-school programs that will soon become available internationally.
Among Subotnick's awards are a Guggenheim Fellowship, three Rockefeller Grants, two Meet the Composers, American Academy of Arts and Letters Composer Award, Brandies Award, Deutcher Akademisher Austauschdienst Kunsterprogramm (DAAD), Composer in Residence in Berlin, Lifetime Achievement Award (SEAMUS at Dartmouth), ASCAP: John Cage Award, ACO: Lifetime Achievement, and Honorary Doctorate from the California Institute of the Arts.
Morton Subotnick tours extensively throughout the United States and Europe as a lecturer and composer/performer.
• Website: www.mortonsubotnick.com